The Old Man was an easy pick and the wardrobe came together very quickly as well. For a guy going on a solemn occasion, a suit would be fitting. Even though we chose a fairly round face, we kept him lanky and worn.
My director and I had already discussed color styling for The Anniversary, so I went into the colors with a bit more knowledge than I usually do. The film was going to be a bit of a period piece and the goal was to give it that old 50's/60's agfa film look which was so distinctive of the time.